Tag Archives: iPhoneart.com

Accolades to Boost Immunity

Still feeling under the weather and just waiting for more test results.  I haven’t had much energy to do any work, especially not of the creative kind, however over the past few days I have received notice of a few accolades for recent work that have helped to boost my spirit and hopefully my immune system as well.

"Tainted Beauty Queen" - ©Tracy J. Thomas, 2013. All rights reserved.

“Tainted Beauty Queen” – ©Tracy J. Thomas, 2013. All rights reserved.

My iPhone photo “Tainted Beauty Queen” was one of 8 chosen for New Era Museum’s “NEM memories” photo-action, curated by Jennifer Bracewell.  You can view all the choices here.

"Oasis" - ©Tracy J. Thomas, 2013. All rights reserved.

“Oasis” – ©Tracy J. Thomas, 2013. All rights reserved.

My iPhone photo “Oasis” was chosen as one of 8 entries for New Era Museum’s “NEM landscapes” photo-action, curated by Gianluca Ricoveri.  You can view all chosen entries here.

Artist of the Day at iPhoneArt.com

Artist of the Day at iPhoneArt.com

And once again (I believe this is my sixth time) I was chosen as “Artist of the Day” on iPhoneArt.com today.

I only wish my body felt as happy as my mind does with all these new accolades.

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iCreate Magazine Interview

©iCreate Magazine.

Photo ©iCreate Magazine.

A few weeks ago I was contacted by the Features Editor of iCreate Magazine.  iCreate is a print magazine based in the UK with a large circulation that focuses on everything related to Mac computers, iPhones and iPads.  The Features Editor came across my portfolio on iPhoneArt.com and sent me an email with the desire to feature me in one of their upcoming issues.

I was surprised and honored to say the least.  I continue to shake my head with amazement over the amount of exposure I have received for my work since I purchased my iPhone about a year and one half ago.  And to think I never thought I would take a single photography with my phone since I was a diehard DSLR user.  This whole experience has taught me to remain open to the possibilities in all forms of new technology.  I can’t wait now to play more with video and video editing once I upgrade to an iPhone 5, just to see where that experience might lead…


Never Give Up

The Press

Have you ever had one of those weeks that was stressful for a variety of reasons and no matter how hard you worked it felt as if you were running backwards instead of reaching the target you were shooting for?  That was the type of week I had.  So, when more good news in the area of my art work began to flow in at the end of this week, I was reminded of the fact that hard work is eventually rewarded as long as you just stick with it and never give up.

To begin with, I had work chosen for “MobFORMAT: The Press” at the Format International Photography Festival in Derby, UK.  This was a unique exhibition deemed to be the first mobile photo press and curated by the festival goers themselves.  Over 6,000 photos were printed and displayed over a period of 30 days.  The concept was to “print out the thousands of photos being shared on EyeEm every day and create the largest interactive exhibition the mobile photo world has ever seen.”  Here is a time-lapse video from the event:

I was also informed that three of my images were chosen for the “Physical Streams 2” exhibition at the Overpass Gallery in Loano, Italy.  This is the second year in a row I have had images chosen for this exhibit of 100 mobile photographs presented in a giant mosaic.  Last year’s exhibit was also on display at the Nuovo Film Studio in Savano, Italy.

The poster announcing Physical Streams 2.

The poster announcing Physical Streams 2.

My three pieces chosen for “Physical Streams 2.”

"Rubber Band Man," "Illuminati," and "The Undertaker" - ©Tracy J. Thomas, 2013. All rights reserved.

“Rubber Band Man,” “Illuminati,” and “The Undertaker” – ©Tracy J. Thomas, 2013. All rights reserved.

“Illuminati” being printed for the exhibit:

©Alessandro Gimelli, 2013. All rights reserved.

©Alessandro Gimelli, 2013. All rights reserved.

The giant mosaic that hangs in the Overpass Gallery.:

©Alessandro Gamelli, 2013. All rights reserved.

©Alessandro Gimelli, 2013. All rights reserved.

And then today, I woke up to find out I was named “Artist of the Day” on iPhoneArt.com again:

Screen Shot 2013-04-14 at 12.08.54 PM

All is well within my soul this morning and I am ready to keep my nose to the grindstone and never, ever give up!  :-)…


Interview on iArt Chronicles

Screen Shot 2013-03-02 at 2.22.45 PM

I was honored to be interviewed by Geri Centonze of iArt Chronicles about my iPhoneography and my creative process. You can read the article and learn a bit more about me here.


This Thing Called Photomontage

"When Tempest Tossed," iPhone photomontage. ©Tracy J. Thomas, 2012. All rights reserved.

“When Tempest Tossed,” iPhone photomontage. ©Tracy J. Thomas, 2012. All rights reserved.

I stumbled across the world of mobile photography a year ago this month when I purchased my first iPhone. Yes, I was a bit behind the times in regard to the little rectangle of metal, glass and plastic that people have been addicted to for some time now.

When I first got my iPhone I had plans to use it for everything but taking photographs. Having just graduated with my Masters of Fine Arts in photography from the Academy of Art University the month prior, the use of my iPhone to create images worth keeping was truly a hard sell in my mind.

And then I stumbled across iPhoneart.com. To say this website was a life changer for me would be an understatement. The brilliant work I witnessed as I perused the galleries of images on this website blew my mind. How could this be possible? These images were shot and edited on an iPhone? Really??

I began to download photography apps and thus began my own addiction with my iPhone. Before long I realized it truly does not matter what tool a photographer decides to use. What matters is the photographer behind the lens, and the end result of its use. This has been true throughout the history of photography and the multitude of cameras made available to create photographs.

"Drowning in a Speed Queen," iPhone photomontage. ©Tracy J. Thomas, 2012. All rights reserved.

“Drowning in a Speed Queen,” iPhone photomontage. ©Tracy J. Thomas, 2012. All rights reserved.

Not everyone who picks up a camera of any sort can create images that can stand next to the best in regard to subject matter, composition, use of light, line, color, and texture. But those who understand the technical and conceptual aspects of photography and are blessed with a bit of natural talent can indeed create compelling images no matter what tool they choose. It doesn’t matter if that tool is an SLR that uses film, a pinhole camera made out of an orange juice can, a plastic Holga, expensive large format, Polaroid, DSLR, point and shoot, or an iPhone; all have been tools used by some of the greatest photographers in the world.

What I have found endearing in the world of mobile photography is the controversy in some circles surrounding composite photography, better known as “photomontage.” Photomontage is basically joining two or more photographs through the use of layers into an illusion to create a surreal or artificial virtual reality. Photomontage has existed in the world of photography since its beginnings, long before the digital age, and was still considered to be “photography” because it was, and still is.

A great example is the image “The Two Ways of Life” by Oscar Gustav Rejlander, created in 1857. This piece was assembled from 30 individual negatives and printed onto one large piece of paper. Rejlander’s piece was first exhibited at the Manchester Art Treasures Exhibition of 1857 and Queen Victoria purchased a copy for Prince Albert.

"The Two Ways of Life" by Oscar Gustav Rejlander, 1857.

“The Two Ways of Life” by Oscar Gustav Rejlander, 1857.

In the early 1900’s, the Dada movement out of Germany was instrumental in moving montage work into the limelight with their political protests against World War I via photographers such as John Heartfield, Hannah Höch, Kurt Schwitters, and Raoul Hausmann. The Surrealists and Constructivists continued the trend of photomontage, which has moved on into the modern-day contemporary photography movement.

From "The American Way of Life" by Joseph Renau, 1949.

From “The American Way of Life” by Joseph Renau, 1949.

From "Flying Houses" by Laurent Chehere, 2012.

From “Flying Houses,” digital photomontage by Laurent Chehere, 2012.

The grumblings in the world of mobile photography seem to arise from the lack of knowledge of the history of traditional photography. Some of the individuals heading the “movement” appear so caught up in the tool itself they seem to forget that it is just that, another tool to take photographs. It is really nothing new, other than being super portable with the all-in-one ability to edit photographs directly inside the same tool that takes the images. If someone uses an iPhone, it does not magically make them a photographer.

Photomontage, composite photography, photographs with a painterly effect, etc. are all accepted in the world of fine art photography and are exhibited in mainstream galleries around the globe. Photographs taken with mobile phones have also begun to show up in these same galleries with the same level of acceptance as traditional camera photographs.

"Rubber Band Man," iPhone photomontage. ©Tracy J. Thomas, 2012. All rights reserved.

“Rubber Band Man,” iPhone photomontage. ©Tracy J. Thomas, 2012. All rights reserved.

Of course there are rules and ethics surrounding composite photography in the world of photojournalism, as there should be. Yet, the remainder of the medium along with those who lend their support to photographers (whether film, digital, mobile or otherwise) should remain open to not only “straight” photography but also those who choose to express themselves by way of “fine art” photography (manipulated or not).

As others have stated before me, eventually all this brouhaha surrounding mobile photography will subside. The iPhone will be viewed along with all other cameras as simply another means to an end. We saw it happen with the Holga, the Polaroid, the first digital cameras. Before long, every digital camera on the market will have the equivalent editing capabilities of the mobile phone.

The most important change will occur when photographers who choose mobile phones as their primary tool begin to compete on the same level as the master photographers who have come before them. Many have begun to enter that realm already with success including Karen Divine, Chase Jarvis, and Richard Koci Hernandez. These photographers view the iPhone as another tool to take photographs and they treat this little rectangle of metal, plastic and glass in the same way as they treat their more traditional cameras. It is one of their tools of choice to create the compelling imagery that comes from a space of technical and conceptual mastery. It is as simple as that.

**Back to iPinion Syndicate**


Happy New Year!

©Tracy J. Thomas, 2012. All rights reserved.

©Tracy J. Thomas, 2012. All rights reserved.

Today I went on a long walk and reflected on what an amazing year this has been for me professionally. It has been filled full with exhibitions, publication and a ton of wonderful projects that kept me focused and moving forward with my life. There were of course some difficult times – you’ve heard the expression “starving artist” I’m sure – however, I used those times to focus on creating art which carried me right through to the brighter side. Art always does that for me.

May each one of you reflect on all you have accomplished during 2012 and have a wonderful and very happy New Year!!

Here are some highlights from my year:

Exhibitions in juried shows at:

The Lunch Box Gallery in Miami, Florida (2x’s)
LA Mobile Arts Festival in Santa Monica, CA
Rebekah Jacob Gallery in Charleston, SC
Nuovo Film Studio, Savano, Italy
The Overpass Gallery, Loano, Italy
Orange Gallery, Orlando, Florida
Black Box Gallery, Portland, Oregon
Gallery 1075, West Sacramento, CA (Solo show)

Featured Artist on the App Whisperer, Life in Lofi, Pixels, iPhoneOgenic, Mobile Photography Awards, and iPhoneography Central websites.

Artist of the Day at iPhoneart.com (3x’s)

Two-time featured documentary series on SocialDocumentary.net

Finalist in Digital Photo Pro Magazine’s Emerging Pro Photography Competition

Finalist in the Digital Arts: California “Wide Open Digital” Competition

My photography was featured in PhotoWorld Magazine – China, The Huffington Post, LAist, Lesnscratch, the Miami Herald, F-Stop Magazine, the Los Angeles Times, the Baltic News Network, The Daily Mail UK, and the West Sacramento Press.

I was published in the Seal Press Anthology “Dancing at the Shame Prom: Sharing the stories that kept us small.”

I was added onto the teaching faculty at the San Miguel Writers Conference in San Miguel de Allende, Mexico.

I was contracted by the Academy of Art University to write the “Business Practices and Principles for Photographers” course.

May 2013 be just as good or better for all!


Digital Arts California: Wide Open Digital Finalist

Screen shot 2012-12-28 at 9.25.20 AM

What an exciting week! The good news for my iPhoneography keeps on coming! In addition to being notified I am a finalist in the Digitial Photo Pro Emerging Photographer Competition that I wrote about in yesterday’s blog post, I just found out nine of my iPhone pieces were chosen along with 66 other digital artists and photographers for the Digital Arts: California “Wide Open Digital” competition.

Here is a link to the online exhibit: http://www.digitalartscalifornia.com/?cat=14

From the Director:

“Our latest exhibit, ‘Wide Open Digital,’ showcases exciting innovative work by 67 digital artists and photographers from 22 countries. This show includes 293 images that range, in style and technique, from one end of the digital spectrum to the other. These images represent some of the most talented work in digital arts around the globe.

I would like to mention that this was a very competitive show, and thus, having even one image chosen for inclusion is a high honor. As much as we would have liked to have included every entrant in the show, we did not. But, we can say that every image we evaluated showed promise. We hope that those artists whose work was not chosen will continue working to further that promise.

…I would like to thank my fellow judges. These two graphics professionals have long resumes of accomplishment in the visual arts. As Art Director of Buddah Records, Elektra/Asylum Records, and 20th Century Fox Records, Glen Christensen was, for many years, a major figure in graphic design in the music industry. He has received two nominations for the prestigious Grammy Award, for Best Album Package. Gary Viskupic has, to his credit, an extensive body of work in editorial illustration. He created most of this illustration during his long tenure as an editorial artist at New York’s Newsday. In addition, his international freelance work has included many award-winning posters and illustrations for magazine and book publishers. Gary has been recognized many times by such prestigious organizations as the Society of Illustrators, Graphis, The Society for News Design, and Print magazine. He is currently an instructor of illustration at New York Institute of Technology.”

Additionally, on Wednesday of this week I was chosen as Artist of the Day at iPhoneart.com!

ipa